A must-see
article | Reading time5 min
A must-see
article | Reading time5 min
The chateau's parks and gardens have been constantly embellished over the centuries. From modest parterres in the times of Roger de Rabutin, they were developed and expanded spectacularly in the 18th and 19th centuries. Ready for a bucolic stroll in the shade of century-old trees?
As early as 1604, the archives mention the existence of an orchard, kitchen garden and park around the chateau. In 1665, Roger de Rabutin was exiled there: he devoted himself to embellishing the interior and began laying out the gardens.
He described them as: "Boxwood squares in compartments, with two rectangular walled exedras on either side, bordered by a slightly raised terraced walkway". However, embellishing the gardens was not his priority; he devoted himself above all to decorating the interior of his home.
Jean-Pierre Delagarde / Centre des monuments nationaux
The work of the second half of the eighteenth century, long overlooked, is the main milestone.
This work was the brainchild of a woman, Geneviève Alexis de Salins. Wife of Étienne Dagonneau de Marcilly (member of the Dijon parliament), they acquired the château in 1733. When her husband died in 1738, she kept the estate for her two sons. She restored the house, rebuilding the moat and the bridges leading to the courtyard and garden.
Between 1755 and 1758, in particular, she undertook major landscaping works: she laid out the park paths, planted the lime trees, laid out the boscage of hornbeams in a star shape and created garden rooms, enlarged the terrace of the regular gardens with flower beds punctuated at the corners with yew trees, installed a round pool with a fountain in the centre of the gardens. She also created a new kitchen garden and orchard.
The grove of hornbeam hedges that were created in the park is was the perfect transition between Roger de Rabutin's regular gardens and the future English-style park of the Counts of Sarcus.
Designed on a star-shaped plan, this space is embellished with more or less hidden garden rooms. It reflects the ideal of a garden devoted to pleasure and to allowing people to wander (both physically and morally) in a Nature that appears wild but is entirely created and controlled by Man.
Jean-Pierre Delagarde / Centre des monuments nationaux
Badly damaged in the early 19th century, the park and gardens were restored by the Counts of Sarcus from 1835 onwards.
By this time irregular or English gardens were in fashion. This family drew inspiration from them and redesigned the park with freer use of vegetation and statuary groups.
Jean-Pierre Delagarde / Centre des monuments nationaux
Owned by the State since 1929, the gardens were restored between 1991 and 1993 as part of the regulatory programme for historic gardens.
The landscape architect based his design mainly on the plans of Geneviève Alexis de Salin, but also retained some of the designs of the Counts of Sarcus. This dual influence highlights the contrast between the regular gardens on the terrace and the irregular gardens on the parkland side.
The highlight of this reinterpretation was the creation of a labyrinth between the bower grove and the terrace of the irregular gardens.
This was the brainchild of the landscape architect during the restoration work in the 1990s, and there is no evidence to suggest that there was one in Roger de Rabutin's time, or even in the 18th century. The 250-metre-long park features a Ginkgo biloba (or forty-tree) at its centre. It's a delight for the young and old alike, who can spend a few minutes feeling like an explorer!
Don't hesitate, discover this 12-hectare estate and spend an hour strolling through the chateau's park and garden.
Jean-Pierre Delagarde / Centre des monuments nationaux
Yannick Cognard
Château de Bussy-Rabutin
Château de Bussy-Rabutin
Château de Bussy-Rabutin
Château de Bussy-Rabutin